17Percent’s bookshelf

The 17Percent bookshelf

The 17Percent bookshelf

Due to circumstances beyond my control, I have been unable to take part fully in the #52 Plays by Women challenge, so instead I’ve compiled a list (with links where possible to buy) of 52 plays by women on the 17Percent bookshelves in no particular order. I found I was about 10 plays short, so I’ve also added some recent plays which I’ve seen or heard about and am hoping to get hold of.

Some of these I’ve had for years, some of them have been bought in second hand and charity shops, some bought at performances, so not all are in print. Of course I’ve also added in my own play My Mind is Free…

I enjoyed compiling this list and might make it a regular thing – so if you have a play you’d added to the 17Percent bookshelf, please email us.

Plays:
1: Red Velvet By Lolita Chakrabarti  

2: Good fun by Victoria Wood
3: Talent by Victoria Wood
In Plays

4: Adrenalin… Heart by Georgia Fitch

5: A raisin in the sun by Lorraine Hansberry

6: The weather by Clare Pollard

7: In Skagway by Karen Ardiff

8: Our Country’s Good by Timberlake Wertenbaker
in Plays 1 by Timberlake Wertenbaker

9: The Swallowing Dark by Lizzie Nunnery

10: Occupied by Carla Grauls

11: The three birds by Joanna Laurens

12: Handbagged by Moira Buffini

13: My mind is free by Sam Hall

14: Zero Down by Sarah Hehir

15: Child Z by Sarah Hehir

16: Gone too far! By Bola Agbaje

17: I and the village by Silva Semerciyan

18: Catch by April de Angelis, Stella Feehily, Tanika Gupta, Chloe Moss and Laura Wade

19: A single act by Jane Bodie

20: 4.48 psychosis by Sarah Kane
21: Phaedra’s Love by Sarah Kane
in Complete Plays

22: Vinegar Tom by Caryl Churchill Dusa, Fish, Stars and Vi by Pam Gems
23: Tissue by Louise Page
24: Aurora Leigh by Michelene Wandor
In Plays by women vol 1

25: A taste of honey by Shelagh Delaney

26: The family legend by Joanna Baillie
in Female playwrights of the nineteenth century

27: The feign’d courtesans by Aphra Behn
28: The busybody by Susannah Centlivre
in Female playwrights of the Restoration

29: Topdog/Underdog by Suzan-Lori Parks

30: Rutherford and son by Githa Sowerby
31: Top girls by Caryl Churchill
32: Stones in his pockets by Marie Jones
in Classic plays by women

33: Purple Cloud by Jessica Huang (no script available)

34: The Diary of a Hounslow Girl by Ambreen Razia

35: The 56 by LUNG (Gemma Wilson and Matt Woodhead)
36: E15 by LUNG (Helen Monks and Matt Woodhead)
contact LUNG theatre company for a copy

37: Mary Queen of Scots Got Her Head Chopped Off  by Liz Lochhead

38: The cutting by Maureen O’Brien

39: And all the children cried by Judith Jones and Beatrix Campbell in collaboration with Annie Castledine (no script available)

40: No guts no heart no glory by Aisha Zia

41: Can this be England? By Jackie Bartlett, Angela Howard & Angela Neville (free download)

42: Joanne by Deborah Bruce, Theresa Ikoko, Laura Lomas, Chino Odimba & Ursula Rani Sarma

43: Welcome to Ramallah by Sonja Linden and Adah Kay
44: Sweet Cider by Emteaz Hussain
in Plays for Today by Women

45: Fleabag by Phoebe Waller-Bridge

46: Girls by Theresa Ikoko

47: Oil by Ella Hickson

48: How to date a feminist by Samantha Ellis

49: Summer Rolls by Tuyen Do (no script available)

50: The Husbands by Sharmila Chauhan

51: Treasure Island by Bryony Lavery

52: The Nether by Jennifer Haley

 

Posted in Aurora Metro Books, Books, female playwrights, Nick Hern Books, play publishing, plays, plays by female writers, Plays for today by women, Samuel French, Women playwrights, women writers | Tagged , , | Leave a comment

Women Centre Stage: Power Play

Sphinx Theatre’s Women Centre Stage Festival takes place 14-20 November 2016 at the Actors Centre and Hampstead Theatre and has a great lineup; workshops, discussions, live performances and new plays from some of the country’s leading names and most exciting new talents creating more and better roles for women.

This year’s festival will feature a jam packed programme of leading UK theatre stars and professionals includes Janet Suzman, Howard Brenton, Anna Ledwich, April de Angelis, Cecilia Noble, Vinay Patel, GRAEAE, Rebecca Lenkiewicz, Charlene James, Winsome Pinnock, Kathryn Pogson, The Hiccup Project plus many more leading and exciting new talents.

There is lots of good stuff during the festival, so checkout the full programme, but of particular interest to writers might be the following sessions:

A workshop for writers exploring existing female protagonists and how we can develop our ambition in terms of writing for women, led by writer Lisa Evans.
20 November, 19:00-20:00
Six months in development, we present new writing from the Sphinx Writers Group; Dawn King, Georgia Christou, Jessica Sian and Catriona Kerridge.. This performance will take place in the Studio at Hampstead Theatre.

20 November, 20.30-21.30
Four writers are given 24 hours to write a new play responding directly to that day’s news headlines. The new work will be rehearsed on the day of the festival and presented at the end of the day as the Festival Finale. Featuring four new plays from Howard Brenton, Rebecca Lenkiewicz, Charlene James and Vinay Patel.

“This is Russian roulette theatre-making on a high wire!” Howard Brenton on the 24 Hour Plays. This performance will take place in the Main House at Hampstead Theatre.

The Sphinx Test

The Sphinx Test

 

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Love, Sex and Apps

Love, Sex and Apps premieres a double-bill of multimedia plays, The Tinder Game and
Border Control, from award-winning playwright, Michelle Sewell, which take a brutally
honest look at the way we communicate and relate to others in our digital world.

 

Michelle Sewell is the winner of the Malcolm Bradbury Award. She graduated with a
distinction from the Masters of Creative Writing from the University of East
Anglia. She has been a writer in residence at Arcola Theatre, The North Wall and the
Australian National Studio. She is currently a BFI Writer in Development, and she is
attached to the SOHO young writer’s group. Her credits include: The Games We Played,
Theatre 503 (2016), and Strings, Manipulate international visual theatre festival (2016).

Runner up for the Nugent-Monck Prize, Michelle’s play, Border Control, presents a love
story and a piece of postmodern, political theatre which represents the globalized time
in which we live and the obstacles faced by people from different countries who are in
love but are displaced.

Love, Sex and Apps speaks about what it means to be in a relationship today.
It will premiere at The Bread & Roses Theatre at 7.30pm from 22nd November – 3rd
December.

Check website for more information.

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Clapham Fringe 2016

Now in its second year, the Clapham Fringe is a Performing Arts Festival taking place at The Bread & Roses Theatre from 20th October to 6th November 2016. With 29 different productions and 48 performances altogether, over three weeks the Clapham Fringe will host a variety of performances including theatre, comedy, storytelling and cabaret. Also celebrating its 2nd year anniversary, The Bread & Roses Theatre, will produce a special edition of their in-house new writing night, The Platform.

With something for everyone at this growing festival the Clapham Fringe is a great opportunity to discover and experience an exciting line-up of performances in the vibrant South West London area. The Clapham Fringe was founded, and is currently produced, by Rebecca Pryle and Tessa Hart, the team who also founded and manage The Bread & Roses Theatre. For 2016 Velenzia Spearpoint is also joining the team as an Associate Producer.

The Fringe features a good proportion of plays written, produced and directed by women, and with women centre stage. For the full lineup please visit the website.

Posted in Festival, Literary Festival, Women playwrights, women writers | Tagged , | Leave a comment

Hashtag 52 plays by women

On Monday, a brilliant new international theatre parity advocacy call to action launches on social media: #52playsbywomen. This international campaign has been started by American writer Laura Annawyn Shamas.

Could you see a play by a woman a week for a year and tell everyone about it on Twitter? (Readings count and if there are not enough performed plays available by women writers in a specific region, reading a play by a woman playwright instead that week is fine.) This should last for a year, so that each participant will have experienced #52playsbywomen.
The rules are simple:

I. Pledge to see a play by a woman (including woman-identified) playwright each week for a year. If you’d like (optional), you can announce your pledge on social media, something like:
“I pledge to see a play by a woman playwright each week for one year to support #52playsby women. Follow my choices here.”

II. Post a tweet each week with

1.  the playwright’s name,
2.  the play’s title, and
3.  the hashtag #52playsbywomen.

This is an international campaign, and all are welcome to be part of it. Find the full information here.

 

Posted in advocacy, Debate, female playwrights, gender equality, plays by female writers, Plays for today by women, plays to see, Women playwrights, women writers | Tagged , , | 5 Comments

Sarah Pitard is a finalist in Papatango

Sarah Pitard

Sarah Pitard

Congratulations to Sarah Pitard, the only female finalist in the Papatango new writing competition 2016.

Of 1,053 entries, the winner was Orca by Matt Grinter, and the other finalists were Gareth Jandrell, Sarah, Dean Poulter, and Chris Salt.

Sarah’s play Full Tilt is about the aftermath of a school shooting, which deals with themes of survivor’s guilt, the effects of the main stream media, motherhood, and the power of support from family and friends.

After a devastating national tragedy, Carrie, an artist and mother, struggles to make sense of a world where evil exists, and the place she and her young daughter have in it. Let’s ask the media: At what point does being paralyzed by survivor’s guilt make you a victim?

Posted in female playwrights, playwriting competitions, prizes and awards, Women playwrights, women writers | Tagged , , , | Leave a comment

A new feminist theatre festival at N16

HerStory social media imageTheatre N16 has created a new two-day festival of women’s work, and stories.

Herstory Festival is a chance for up and coming playwrights and artists to tackle important issues surrounding feminism and by doing so creating a platform for discussion and an opportunity to instigate change. During the two days of the festival Theatre N16 will showcase rehearsed new writing, performance art pieces and solo shows.

It is time to make HERSTORY, not history.

From a one woman verbatim piece about her grandmother’s life in Ghana, to a two-hander about the male and female perspective of being a victim of sexual assault, to a short comedy about objectification; this two-day festival is going to be full of diversity and talent. It will also be a great chance of starting a discussion regarding the subjects of female equality and the under-representation of women in the arts industry.

6-7 August at Theatre N16
Starts 7pm
Day tickets £7 / Weekend tickets £10
The Bedford, 77 Bedford Hill, Balham, SW19 9HD
More info

Posted in Plays for today by women, plays to see, theatre programming, Women playwrights, women writers | Tagged , , , , , | Leave a comment

Happy Yet? : a new play from Swedish playwright Katie Berglof

Happy Yet posterOpen Mind Production introduces ‘Happy Yet?’, a dark comedy by the 21 year-old Swedish playwright Katie Berglof. ‘Happy Yet?’ is scheduled for daily performances at the Edinburgh Festival Fringe from the 15th -27th August in the Space @ Surgeon’s Hall.

Happy Yet?’ offers a fresh and thought-provoking take on depression and mood swings – from an attic apartment in Stockholm. With a pinch of Nordic noir and a satirical twist, the play tells the story of a family’s inability to understand Uncle Torsten and his battle against his unstable mind. Torsten’s façade of confidence and charisma can fool everyone – except his young niece, Nina. Living in his brother’s home, Torsten is surrounded by constant reminders of his inadequacy and inability to fit into the so-called real world. As the light-hearted judge to his failures and mischief making, Nina is Torsten’s reason to keep going. Through Torsten’s intelligence, quick wit and unnerving charm,‘Happy Yet?’ addresses the complexities and humiliations of mental illness.

‘Happy Yet?’ draws on the personal experience of the playwright who watched a family member suffer from a life-time of being misdiagnosed and misunderstood.

‘Happy Yet?‘ marks the debut of Open Mind Productions, a group committed to tackling issues of mental health. The team of young writers, artists and directors, all new to the Fringe, meet regularly at local pubs and cafes around Edinburgh- the historic hub of the Enlightenment – to explore how the arts can contribute to a more enlightened, modern take on a taboo subject: our mental health. With an energetic cast of young actors, ‘Happy Yet?’ exposes the tragic outcomes of our modern ignorance of the link between intelligence and mental illness; and conditions that are still harshly judged – and poorly understood.

 

Venue: the Space @ Surgeons Hall (V53)
Date: 15th-27th August 2016 (not 21st)
Times vary: 10.50am 15th -20th, 11.50 22nd -27th
Duration: 1h15
Tickets: £7/£5

Website: https://tickets.edfringe.com/whats-on/happy-yet
Facebook: https://www.facebook.com/happyyet2016/
Twitter: @happyyet2016

Posted in Edinburgh, Edinburgh Festival 2016, Women playwrights, women writers | Tagged , , , | Leave a comment

Edinburgh Preview

Image for Poena 5X1

Poena 5X1

It’s come to that time of year again, when we have a look through the press releases for the vast numbers of shows that are going to the Edinburgh Festival and try to highlight just a few of the ones written/directed/featuring/telling strong female stories or created by women. Here are our first batch. (There are sure to be more!)

Ada/Ava by Manual Cinema

In their UK debut, presented with Underbelly Productions, Chicago-based Manual Cinema uses overhead projectors, actors, live music and hundreds of shadow puppets to tell a story of the fantastic and supernatural, exploring mourning, melancholy and self. Bereaved of her twin sister Ava, septuagenarian Ada solitarily marks time in the patterns of a life built for two. A traveling carnival and a trip to a mirror maze plunge her into a journey across the thresholds of life and death. Nearly three hundred handmade shadow puppets are manipulated on old school overhead projectors to create a live animated film. Part ghost story, part suspense thriller, Ada/Ava is a very personal portrait of two characters.
Underbelly Potterow (Topside) from 3rd August at 16:00. More info

Agent of Influence: The Secret Life of Pamela More

Lady Pamela, fashion columnist and socialite, is recruited by MI5 to keep notes on Wallis Simpson and Edward VIII, suspected to be colluding with the German Embassy. But, Pamela suddenly realises that what began as an adventure has led to a deadly struggle for power in a world in the shadow of war. In the depths of a darkened bomb shelter, Lady Pamela tells a tale of adventure, espionage and intrigue, of glamorous cocktail parties, socialites and high fashion. From Jessica Beck, the director who brought Whiskey Tango Foxtrot to the Fringe in 2015, comes a journey of 1930s glamour and fear.
Underbelly Cowgate (White Belly) from 4th August at 14:40. More info

BLUSH

BLUSH, written by Charlotte Josephine and presented by Snuff Box Theatre, the team behind the sell-out, multi-award winning Bitch Boxer, tells five candid stories about revenge porn and all its many victims. BLUSH is a slap in the face and a call to arms. This angry, honest and heartfelt piece seeks to encourage and broaden examination of how the scarcity culture in modern society is fuelling our shame, encouraging the destructive belief systems that we are not enough. BLUSH is a fast-paced two-hander that explores where our desire to shame others comes from, the unwritten laws of gender-related responsibility and how the shame we feel at not measuring up spills out sideways into acts of violence.
Underbelly Cowgate (Big Belly) from 4th August at 18:00. More info

Foiled

Staged in an actual working hair salon on Clerk Street (never before used as a Fringe venue), Foiled invites you to immerse yourself in the secret world of styling while Sabrina and her team attempt to perform mission impossible, hair-wise. ‘Bleach for the Stars’ specialises in celebrity dip dyes and off-kilter karaoke but today its doors are closed (again) so that manageress and chief style engineer Sabrina can get busy nominating herself for the prestigious Clipadvisor Salon of the Year award. When bald out-of-work actor Richie arrives for a career-saving hair-do, over-talented and under-employed assistant stylist Tanisha must convince Sabrina that you simply can’t buy success. Except, of course, when you can.
Ruby Rouge Hair Salon from 5th August at 19:00. More info

Katie Brennan’s Quarter Life Crisis

Are you crippled by student debt? Working an unpaid internship? Trying to find Prince Charming on Tinder and spending the majority of your time watching Netflix? Welcome to the life of a modern day twentysomething! Join actress and blogger Katie Brennan for a new show, packed with music, comedy and cabaret all about living that Quarter-Life Crisis. From facebook to flatshares, weddings to woeful bank accounts, career conundrums to chronically crap sex, come and raise a big glass of gin to all those twentysomethings struggling to find their place in the world.
Underbelly George Square (The Wee Coo) from 3rd August at 22:50. More info

Lucy, Lucy and Lucy Barfield

Lucy Grace explores a life less documented in this intimate show about holding onto adventure, falling through the cracks and finding your own way back. C.S. Lewis’s dedication to his goddaughter in The Lion, the Witch and The Wardrobe is often acknowledged as one of the most poignant ever written yet we know nothing about the little girl it is meant for, the same little girl who gave her name to Narnia’s heroine: Lucy Pevensie. Inspired by a childhood reading fantasy novels, Lucy Grace is waiting to find the way into Narnia. Eventually it clicks; Narnia does not exist. So, Lucy returns to her favourite book to look for tips on how to survive in a world where every door leads exactly where you’d expect. Perhaps C. S. Lewis’s dedication holds the key to another wardrobe.
Pleasance Courtyard (Below) from 3rd August at 15:30. More info

Mr Incredible

Mr Incredible is a brutal new play about modern love and old-fashioned entitlement from the award-winning writer/director team behind Edinburgh Fringe 2015 sell-out show Where Do Little Birds Go?. Camilla Whitehill’s second play is a stark exploration of control, anger, and the lengths we go to stay in one place. It asks difficult questions that call for us to explore ourselves, talk and take action, not simply to think and then forget – questions that are paramount within the vital discourse around male privilege and sexual consent. Mr Incredible is the study of one man who is forced, through circumstance, to self-reflect. Underbelly Cowgate (Big Belly) from 4th August at 16:40. More info

Poena 5X1, or How I Came To Agree With Right-Wing Thinking

Sex, politics and the power of love are explored in the world premiere of this brilliant, provocative Scandi noir thriller from Northern Ireland’s multi-award-winning Abbie Spallen. Bryony Adams is an idealistic government scientist working to create a new and humane form of punishment, within a justice system crippled by prison overcrowding. But when a cabinet minister with a reputation tries to exploit her idealism for profit she feels betrayed. Her response is extreme and unexpected and will have devastating consequences for her and those she loves. Poena 5X1 has a fierce political edge and one final terrifying twist.
Underbelly Med Quad (Ermintrude) from 3rd August at 15:20. More info

Torch

We’re all told we’re looking for something, that some part of ourselves is missing, that somewhere we fall short – we’re not political enough, not skinny enough, not sexy enough, not brave enough. The search is over. Stop looking. Part gig, part refracted and reflecting stories, Torch explores what it means to be a woman. From Flipping the Bird, in collaboration with Channel 4 Playwright Phoebe Eclair-Powell (Wink) and actor Jess Mabel Jones (Backstage in Biscuitland), comes a show that looks at freedom and celebrates choice in the world today. Torch does not set out to solve feminism but provoke it, laugh at and with it, and detonate it.
Underbelly Cowgate (Big Belly) from 4th August at 20:50. More info

*If you go to Edinburgh and want to write a review for us of any of the female-centred/-centric shows you see, then please get in touch, we’d love to feature your writing. 

 

Posted in Edinburgh, Edinburgh Festival 2016, Uncategorized | Tagged , , , | Leave a comment

Three short plays expose their writers

poster for bare.“We are three twenty something women telling stories, and working together to form a narrative.”

Nothing is more thrilling and terrifying than completely exposing yourself. Not just baring your flesh, but your fears, secrets, and soul. bare. is an intimate evening of fresh, one-woman performances. International stories of sex, fear, love, inspiration, mental illness, strength, despair, independence, vulnerability, and everything in-between.

“We’ve had a host of wonderful directorial influence, and practitioners who’ve been incredibly supportive and giving. Though the pieces have different content, they are interlinked and will be woven together into a whole performance.”

IBZ is a wild piece penned by Kat Ronson. Sex. Love. Ibiza. Ecstasy. When Girl meets Him, life changes forever. How far will she go for her first love?

Steffanie Freedoff’s in the beginning there was Word is a piece of performance poetry about finding the depths of one’s soul at the point of a pen. Grace finds strength, courage, and her right to speak at a TEDtalk in Chicago.

“What does it sound like to you? is it loud? can you outrun it?” meet Lucy, and the messy line between normality and conformity with Mind the Gap written and performed by Madeleine Dunne.

Each of the writer/performers studied MA Acting at East 15 where they learned the importance of being able to create their own work.

Kat Ronson was the brains behind the show and is a writer/actor, and artistic director. Kat had already written her one woman play years earlier, but hadn’t found the appropriate time, or felt able to share it until ‘bare.’ Steffanie had previously performed her piece, and Madeleine was yet to write hers. But they were determined to share their stories, despite their content being particularly, metaphorically exposing.

For those of a sensitive disposition don’t be worried, there is no live explicit nudity (other than video footage). But the writers do recommend that audiences be aware of the sensitive content, loud noises, explicit language and potentially upsetting subject matters in the plays.

bare. plays for a limited time at the Courtyard Theatre, Hoxton, 14-16 July  at 7:30pm.

£10 standard / £8 concession. PLEASE NOTE SEATING IS EXTREMELY LIMITED.

Tickets  / Twitter: @bare_play

Posted in female playwrights, new work, new writing, plays by female writers, plays to see, Women playwrights, women writers | Tagged , , | Leave a comment